Binary is an intense and visually striking exploration of identity and inner conflict, merging body horror with a deeply personal narrative. Directed by David-Jan Bronsgeest, this 42-minute film tells the story of Nisha, a trans woman from Pakistan living in the Netherlands, as she grapples with her upcoming gender-affirming surgery. The film delivers a unique blend of psychological and supernatural horror, offering both visceral thrills and a thoughtful depiction of the complexities of self-discovery.
What stands out immediately about Binary is its ability to keep viewers on edge. The tone shifts dramatically from scene to scene, creating an unpredictable and often disorienting experience. Just when you think you know where the story is headed, it takes a sharp turn, keeping you engaged and unsure of what’s coming next. This wild fluctuation in tone might be jarring for some, but it works well in reflecting the chaotic emotional state of Nisha as she navigates her own fears and uncertainties.
The film excels in its use of body horror as a metaphor for Nisha’s struggles with dysphoria. As her surgery approaches, she begins to experience increasingly disturbing visions and demonic attacks that blur the lines between her inner demons and the real-world threats she faces. The body horror is effective, with gnarly VFX that shocks and impresses—though the final demon reveals don’t quite match the build-up in intensity. Still, these moments of horror, both physical and psychological, are a powerful reflection of the anxiety and fear that can accompany such a life-altering decision.
Visually, Binary is a feast for the eyes. The neon lighting and atmospheric cinematography create a surreal world that mirrors Nisha’s turmoil. Inaya Zarakhel’s performance as Nisha is captivating, balancing vulnerability and strength as she wrestles with her sense of self and the pressure to conform to societal expectations. Her portrayal of Nisha’s conflicted emotions, especially in the face of violence and fetishization from others, adds depth to the character, making her journey feel all the more impactful.
While the film’s narrative feels slightly rushed at times—likely due to its short runtime—Binary manages to pack a lot into its 42 minutes. The film touches on family struggles, financial instability, and societal pressure, all while maintaining an underlying supernatural tension. It’s a lot to balance, and although some aspects could have used more exploration, the film’s ambition is commendable.
In the end, Binary is a haunting, thought-provoking entry into the body horror genre, with a unique focus on the trans experience. It’s bold, unsettling, and visually compelling—a film that leaves you thinking long after it’s over. David-Jan Bronsgeest has crafted a powerful piece that not only engages through horror but also prompts deeper reflection on identity, transformation, and self-acceptance.
Jessie Hobson