Stephen Cognetti has made a name for himself in the horror world as the mastermind behind the Hell House LLC franchise, a series that has captivated found-footage enthusiasts and solidified its place in modern horror. Since the release of the original Hell House LLC in 2015, Cognetti has continued to expand the eerie mythology surrounding the Abaddon Hotel, delivering a mix of tension, mystery, and genuinely effective scares.
However, with his latest project, 825 Forest Road, Cognetti has taken a bold step outside his comfort zone. The film, set to premiere on April 4 exclusively on Shudder, represents a departure from the found-footage style that made him famous. Instead, 825 Forest Road offers a traditional narrative structure, exploring a supernatural horror story centered around a town haunted by the lingering ghost of Helen Foster. The plot follows Chuck Wilson, who moves to Ashland Falls after a family tragedy, only to discover that the town holds dark secrets—chief among them, the mysterious and seemingly nonexistent address, 825 Forest Road.
While 825 Forest Road may not resonate with all fans of Cognetti’s previous work, it’s commendable that he is willing to branch out and experiment with new storytelling techniques. It’s a risk, but one that speaks to his growth as a filmmaker and his desire to avoid creative stagnation. Not every experiment will land perfectly, but the willingness to evolve is what sets great directors apart from the rest.
For fans of Hell House LLC, there’s still more to look forward to, as Cognetti is also developing Hell House LLC: Lineage, a new installment in the franchise that will reportedly abandon the found-footage format. With this upcoming entry expected to hit Shudder in October 2025, it’s clear that Cognetti is embracing change while staying true to his horror roots.
Whether or not 825 Forest Road becomes a new fan favorite, Cognetti’s dedication to the genre and his willingness to push boundaries make him a filmmaker worth following. His latest project may be a departure, but for those who appreciate innovation in horror, it’s an intriguing one.
Jessie Hobson