Hostile Dimensions, the latest sci-fi/horror film from director Graham Hughes (known for Death Of A Vlogger), will hit theaters and digital/VOD platforms on August 23rd, courtesy of Dark Sky Films. This twist-filled multiverse thriller follows two documentary filmmakers investigating the mysterious disappearance of a graffiti artist. Their search leads them to an ominous freestanding door, plunging them into a dark journey through various dimensions. As they uncover the truth, they realize they've stumbled upon something far more terrifying than they ever imagined.
Hostile Dimensions is a charming low-budget film, packed with intriguing ideas, genuinely spooky moments, and a dash of humor that enhances the overall experience. Its concise 77-minute runtime ensures it remains engaging throughout, even as some of its initial appeal fades.
Graham Hughes brings an excellent concept to life with ideas that are crazy, clever, and ambitious. Although the film loses its way just before the third act, with the narrative becoming somewhat disjointed, it thankfully comes together for a reasonably satisfying finale. As the second part of a trilogy, it leaves me excited about Hughes' future projects, and although I haven’t watched the first film in the trilogy, this installment piqued my interest to do so.
Hostile Dimensions delivers solid jump scares without trying too hard. The film effortlessly transitions from one camera medium to another, showcasing impressive filmmaking techniques despite its limited budget. Everything feels familiar and different simultaneously, at times reminiscent of a live-action Monsters Inc. With nods to notable found footage classics like Paranormal Activity and Blair Witch, Hostile Dimensions has its spooky moments, though it isn’t strictly a horror film.
Hostile Dimensions is a charismatic and inventive low-budget film showcasing Graham Hughes' potential as a filmmaker. Despite its occasional narrative missteps, it delivers a unique and enjoyable experience. Once Hughes is given a larger budget, he’ll be unstoppable. Whether you enjoy the movie or not, what he’s achieved here is commendable, demonstrating that sometimes, less is more.
Jessie Hobson