I’d never attended Chattanooga Film Festival, and with having a lot of free time recovering from surgery, of course, I’d take a stab at checking out what this fest had to offer. While I wish I had gotten to more, I very much enjoyed viewing and covering the films that I had time to watch. There are a bunch of gems here, so I’d say that the Tennessee film community is in good hands for the years moving forward.
American Meltdown (2023) ★★
It was fun enough with solid performances throughout, but I couldn't help but lose interest midway. And while the second act is weak, the overall style is far from lacking. An acceptable film, just not for me.
Bad Girl Boogey (2022) ★★½
Another jumbled narrative with not much to say. Although the blood and gore looked remarkable, the audio fails to sync with certain kills, resulting in the unfortunate spoiling of some of the film's best moments.
Beaten to Death (2023) ★★½
It's a brutal experience that evokes shades of Wolf Creek. However, the real standout element is the impeccable sound design, which effectively enhances every punch, making it the true star from start to finish.
Brutal Season (2022) ★★★★
The essence of the stage is flawlessly captured, as the ensemble harmoniously collaborates, resulting in a film that boasts remarkable cinematography, intricate set designs, and stunning costume work.
Followers (2023) ★★
It starts with a decent enough hook, featuring a storyline that brings to mind You're Next. Although the film had its moments of lull, the finale proved to be engaging enough to keep me entertained until the credits rolled.
Hell Hath No Fury (2023) ★★
While the film skillfully plays with the conventions of film noir, the exaggerated acting feels more odd than clever. However, it still provides a captivating showcase of talent, both in front and behind the camera.
Invoking Yell (2023) ★★★½
While it may skirt a bit too close to Blair Witch territory, this is a near perfect mix of metal and found footage. The finale leaves a bit to be desired, but it's a compelling watch for anyone that had a camcorder.
The Last Movie Ever Made (2023) ★★★
This type of movie isn't typically my bag, but it won me over quick. Charming film with realistic performances and clever writing reminiscent of Be Kind Rewind and Seeking a Friend for the End of the World.
Trim Season (2023) ★★½
As stupid as this was, it was still mildly entertaining. It took a bit too long to get the point across, and Bex Taylor-Klaus is back in another shoehorned role. Don't worry, it'll probably be on Shudder soon enough.
Pensive (2022) ★★★½
Even though it adheres to familiar slasher tropes, there's an undeniable freshness. It boldly defies traditional rules, setting itself apart from others. Notably, the ending packs a nice punch leaving a lasting impression.
The Once and Future Smash (2022) ★★★★
Cleverly shapes a bizarre world of convention life and lost media that may not be for everyone. Lingers a bit, but sticks the landing, leaving a lasting impression with remarkable on-screen chemistry.
End Zone 2 (1970) ★★★
While it had some redeeming qualities, I personally found it unnecessary. The mockumentary alone would have sufficed for my enjoyment.
Tearsucker (2023) ★★★
While it is unnerving, there are too many missed opportunities. Don't get me wrong, it has its moments, but ultimately, had it leaned in a bit more, Tearsucker would be that much harder to forget. What could have been.
Summoning the Spirit (2023) ★★½
The abundance of elements crowd the story, resulting in a weak narrative and an ending that isn't as clever as the director thinks it is. The creature is impressive, but sadly, it isn't enough to save the film.
Again, outside of Summoing the Spirit, solid stuff here. Obviously, you can see by the star ratings that I liked some of these better than others, but they all hold some merit in one way or another. If you have the time, I suggest taking a look at any of the films mentioned above as well as maybe attending Chattanooga Film Festival for their next event.
Jessie Hobson