A documentary that delivers exactly what it promises, Wrecked a Bunch of Cars, Had a Good Time is an exhilarating dive into the world of demolition derby. Directed by James P. Gannon and Matt Ferrin, this short but powerful film offers a thrilling look at the competitors who live for the rush of metal-on-metal destruction. The film follows four derby drivers, each with their own motivations and personal connections to the sport, as they prepare for and participate in a high-stakes championship event.
Read MoreGood Boy (2023)
Tom Stuart's Good Boy is a charming yet melancholic dive into personal struggle, mental health, and the weight of familial ties, all wrapped in an offbeat, dreamlike package. With a strong lead performance from Ben Whishaw and an engaging script, the film delivers a touching and whimsical experience. At its core, Good Boy follows Danny, a man desperate to turn his life around but continually pulled in different directions by his past, his well-meaning but chaotic mother, and an array of eccentric characters who weave in and out of his life.
Read MoreNobody Believes Cassandra (2025)
The rise of AI-generated films has been a controversial topic in the industry, with debates raging over creativity, authenticity, and whether machine-generated storytelling can ever truly match human ingenuity. Nobody Believes Cassandra, the latest AI-assisted sci-fi thriller directed by James G. Maynard, ambitiously pushes the boundaries of AI filmmaking. While it stands as a notable advancement in AI cinema, the film itself is a mixed bag—brimming with fascinating concepts yet falling short in execution.
Read MoreInvader (2024)
Mickey Keating’s Invader is a lean, mean home-invasion thriller that wastes no time in unsettling its audience. From its chilling opening—where an unseen figure methodically dismantles a home—to its relentless conclusion, the film operates with a stripped-down, almost voyeuristic intensity. While it occasionally treads water in its buildup, Invader ultimately delivers a brutal and effective genre experience.
Read MoreV/H/S/Beyond (2025) #BluRay
The V/H/S franchise has been a cornerstone of the found footage horror anthology format since its debut in 2012, delivering short bursts of terror wrapped in a retro aesthetic. Over the years, the series has offered both high points and diminishing returns, and with V/H/S/Beyond, one has to wonder: have we finally reached the point where it's time to move on? To its credit, V/H/S/Beyond boasts an impressive lineup of directors, including Jay Cheel, Jordan Downey, Virat Pal, Justin Martinez, Christian and Justin Long, and Kate Siegel.
Read MoreSpectrum (2024)
Rick Stanton’s Spectrum is a deeply affecting and thoughtfully crafted short film that explores the journey of Steve, a man with autism, as he navigates a world that often isolates him. Clocking in at just 31 minutes, the film packs a powerful emotional punch, delving into themes of identity, resilience, and the search for acceptance. One of Spectrum’s standout elements is its use of black-and-white cinematography.
Read MorepaSSive poWer (2024)
J.B. Ghuman Jr.'s paSSive poWer is less of a traditional film and more of an immersive experience, blending sensory stimulation, movement, and philosophical reflection into a visually striking 360 VR journey. Shot with the powerful 11K Insta360 TITAN Camera, this short experimental piece challenges conventional storytelling by inviting the viewer to engage in a cerebral and emotional exploration of human existence. From the very start, paSSive poWer asks its audience to remove all labels and strip their minds of preconceived notions.
Read MoreCaptain America: Brave New World (2025)
At this point in the Marvel Cinematic Universe franchise, you’re either in for the long haul or you’ve checked out. Personally, I still get excited for these movies. That being said, I’ll be the first to admit that the series has been hit-and-miss since the last Avengers film.
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