Honey, I Shrunk the Kids (1989) #RetroReview

I first saw Joe Johnston’s Honey, I Shrunk the Kids at a drive-in during its initial release in 1989. I was 11 and already a sci-fi junkie, so of course I loved it. Looking back, it’s not surprising that I took to this film as much as I did, as two men who I would come to admire later in life for their imaginative efforts in the horror genre shepherded this production through its earliest stages.

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Buying Time (2024)

No matter your thoughts on the whys and wherefores of the pandemic era, there’s no denying its ongoing impact on our culture. That being said, I’m somewhat surprised by the seeming reluctance of filmmakers to explore themes related to the situation. This brings me to producer/director Kris Smith and producer/writer/editor Andy Blithe’s no-budget near-future thriller, Buying Time.

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Good Boy (2022)

Having been on my list to see since seeing the poster, I was excited to finally check out Good Boy. The cast is fully committed, delivering performances that make the bizarre premise almost believable. The film's color temperature lends a dreamlike quality to every scene, with a soft and ethereal filter that enhances the surreal atmosphere.

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Isleen Pines (2023) #BluRay

Isleen Pines is an absolute revelation in the world of low-budget indie cinema. Written and directed by the creative duo Matthew Festle and Alexys Paonessa, this film showcases the extraordinary potential of independent filmmaking. The talented ensemble cast, including Darren Deng, Naiia Lajoie, Jackson Turner, Alan Maxson, and the legendary Glenn Plummer, brings the film's diverse characters to life with incredible depth and authenticity.

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Sting (2024)

Sting delivers a thrilling throwback to '90s creature features, blending nostalgia with modern horror elements in a delightful and terrifying package. Directed by Kiah Roache-Turner, known for Wyrmwood: Apocalypse, this film reimagines the creature horror genre with a unique spin, set against the backdrop of snowy, atmospheric New York, it takes that extra step to add another layer of claustrophobia. The plot centers on 12-year-old Charlotte, whose pet spider undergoes a rapid and horrifying transformation into a giant, flesh-eating monster.

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RE: Brightburn (2019)

Director David Yarovesky’s Brightburn reimagines the iconic origin story of Superman, which is itself a repurposing of the Moses myth, and gives it a horrific twist. Basically, it’s what if baby Kal El was sent to Earth to conquer it with no compunctions about slaughtering anyone who gets in the way. I’ve read it described as being a superhero film crossed with a slasher flick.

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