Saloum (2021)

Do you like movies that thumb their noses at genre rules and eschew tropes? How about narratives that successfully pull the rug out from under you multiple times? If so, have I got an action/thriller/horror flick for you!

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Glorious (2022)

What do JK Simmons, True Blood’s Ryan Kwanten, Lovecraftian cosmic horror, and a glory hole have in common? No, this isn’t the setup for some edgy film nerd joke. These are the main components in Rebekah McKendry’s Glorious.

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Ingrid Goes West (2017) #RetroReview

I’m looking forward to seeing Emily the Criminal starring Aubrey Plaza, which should be screening everywhere by the time this is published. Keeping that in mind, I decided to revisit Matt Spicer’s Plaza-starring Ingrid Goes West, a terrific little black comedy and cautionary tale that examines social media through the lens of obsession and mental health. The film also balances some thriller-esque elements with great character work.

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The Gray Man (2022)

The Russo brothers have been branching out since their massive success within the Marvel Cinematic Universe. Their latest, The Gray Man, debuted on Netflix this past weekend after a limited theatrical run. Based on the first novel in an ongoing series by Tom Clancy collaborator Mark Greaney concerning an ex-CIA operative, the film is intended to begin a new action franchise.

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Road to Perdition (2002) #RetroReview

When Road to Perdition was released on July 12th, 2002, it caused a mini stir. Audiences weren’t sure if they would be able to buy Tom Hanks in a morally flexible role. The film had the benefit of being director Sam Mendes’ follow-up to the massively successful American Beauty, though, and as such, had creative leeway.

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