Succubus (2024)

Succubus offers a bold and engaging addition to the horror genre, promising a thrilling ride for fans. Set to release across digital platforms and on DVD on September 24, this film from R.J. Daniel Hanna showcases a talented cast, including Brendan Bradley, Rachel Cook, Olivia Applegate, Derek Smith, Emily Kincaid, Rosanna Arquette, and Ron Perlman.

The story follows Chris, a young father navigating a marital separation who joins a dating app, StarCrossed. His match with the enigmatic Adra leads him into a nightmarish world of seduction and manipulation. The narrative's fast-paced start, combined with clever storytelling and a unique take on the succubus legend, sets a high bar for engagement. The film’s initial creativity and suspense are reminiscent of one of the better American Horror Stories episodes, making for an intriguing watch.

However, as the film unfolds, some of the initial momentum is lost. The design of the succubus, though elegant, lacks the fearsome presence one might expect from such a character. Instead of instilling terror, she comes across as more of a Maleficent-like figure—visually striking but not quite frightening. This design choice diminishes some of the horror elements, making the creature feel less threatening and more ethereal.

Despite this, Succubus still delivers some memorable moments, particularly in its death scenes where the makeup effects shine. These scenes, combined with a few clever dream sequences reminiscent of Nightmare on Elm Street, help to maintain the viewer's interest, even when the narrative begins to waver.

The film does lose some focus near the end, as it grapples with where to take its story. It’s clear that the writers had ambitious ideas, but as the plot progresses, it feels like they may have written themselves into a corner. The finale, while decent, lacks the punch of the film’s earlier moments, leaving viewers with a sense that it could have been more.

Ron Perlman, as always, adds a level of gravitas to the production, lending credibility to the film even when the story teeters on the edge of cliche. His presence is a reminder that Succubus is a film that, despite its flaws, is still worth watching for fans of the genre.

In conclusion, Succubus starts strong with a unique and clever take on the horror genre, offering effective early scares and a fresh approach that makes it worth watching. However, the film struggles to maintain its initial brilliance as it reaches its climax, with the design of the succubus not being as terrifying as some might hope and the story losing its way towards the end. Despite these shortcomings, Succubus still delivers a seductive and entertaining journey into darkness, and horror enthusiasts will likely appreciate its ambition and the engaging performances that drive the story.

Jessie Hobson