Psycho Ape: Part II - The Wrath of Kong is a sequel that surpasses expectations in the most delightful way. Directed and written by Addison Binek and Greg DeLiso, this film is intentionally bad in the best sense, and it revels in its absurdity, crafting a cinematic experience that is both hilarious and surprisingly well-executed.
Set 25 years after the events of the first Psycho Ape, the film follows the quiet life of Nancy (Kansas Bowling) and Dr. Zoomis (Bill Weeden), who have formed an unlikely bond with the reformed simian Psycho Ape (Floyd Cashio). But as bodies start piling up and the city’s banana supply dwindles, the question arises: is Psycho Ape truly reformed, or is he being framed by a new wave of copycat killers?
The charm of Psycho Ape II lies in its self-awareness and meta-humor. The film constantly breaks the fourth wall, but it does so in a clever, Deadpool-esque manner that feels fresh and engaging. The pop culture references are spot on, with unexpected nods to films like 10 Things I Hate About You and mentions of Ghost World that had me laughing out loud. It’s a brilliant bit of meta-filmmaking that keeps the audience in on the joke, making every scene feel like an inside joke that you’re part of.
Bill Weeden is, as always, a scene-stealer. His performance is full of quirky one-liners that are sure to be quoted for years to come. Whether he’s delivering a perfectly timed joke or just being his eccentric self, Weeden proves once again that he’s a comedic genius. Kansas Bowling is equally captivating, and her chemistry with Weeden and the ape adds a layer of absurdity that works incredibly well. If it wasn’t for Tarantino or whatever his name is, you could argue that these films made Kansas Bowling.
The film’s editing is sharp, and the pacing ensures that there’s never a dull moment. Even the scenes where the characters are just wandering around town, interacting with unsuspecting bystanders, are hilarious and add to the film’s offbeat charm. The production value is surprisingly high for a film of this nature, and the creativity behind every choice, no matter how ridiculous, is evident.
Floyd Cashio shines in his role as the ape, infusing the character with a unique blend of charisma that makes him both hilariously dim-witted and strangely endearing. The scenes with the newscasters stand out as some of the film's funniest moments, expertly edited to amplify the comedy. While such scenes can sometimes feel out of place, you managed to turn them into a real highlight.
There’s even a dream sequence that left me genuinely curious—was that Anya Taylor-Joy, or am I just seeing things? Either way, it’s a testament to the film’s ability to blur the lines between reality and its bizarre narrative in a way that keeps you guessing and entertained. Seriously though, was that her?
What’s remarkable about Psycho Ape II is that it far surpasses expectations. Binek and DeLiso are fully aware of what they’re doing, and their passion for creating something so deliberately absurd yet intricately crafted shines through in every frame. Like Binek’s other films, this project is a testament to the power of friendship and collaboration, proving that sometimes all you need is to reunite with the gang to create another wonderfully outrageous piece of art.
If you’re a fan of horror parodies, cult classics, or just enjoy a good laugh, Psycho Ape: Part II - The Wrath of Kong is a must-watch. It’s a worthy follow-up to the first film and a brilliant example of how to do “so bad it’s good” the right way. Don’t be surprised if you find yourself wanting more when it’s over—I know I did.
Jessie Hobson