Actress Nadia White, widely recognized for her performances in various Troma films, including Shakespeare's Shitstorm and Return to Nuke 'Em High Vol. 2, has reportedly parted ways with Troma Entertainment's upcoming feature The Power of Positive Murder. White's decision to step away stems from concerns over the production's handling of COVID-19 safety protocols on set, highlighting a potential disregard for health and safety that could put cast and crew at risk.
According to sources close to the production, White refused to report to the set after learning that there were more than seven active COVID-19 cases among the crew. Her decision to prioritize "safety to humans" was met with dismissal from the project, allegedly by none other than Lloyd Kaufman, the legendary co-founder of Troma Entertainment and the creator of the iconic Toxic Avenger franchise.
Despite White's concerns, it seems her scenes could have been filmed later using green screen technology, which would have minimized her exposure to potential health risks. However, her refusal to participate under the current conditions appears to have led to her removal from the production, raising questions about the priority given to health and safety on the set.
The situation has become even more contentious, with conflicting reports emerging from both sides. Troma Entertainment, spearheaded by Kaufman, is reportedly downplaying the situation, claiming that there was only one active COVID-19 case on set. However, White has allegedly provided evidence suggesting otherwise, casting doubt on the studio's version of events.
As of now, Lloyd Kaufman has not responded to requests for comment on the matter, leaving fans and industry insiders alike to speculate on the true nature of the situation. This incident raises significant concerns about the handling of safety protocols in independent film productions, especially in the wake of a global pandemic that continues to pose serious health risks.
For Nadia White, the decision to step away from the project was undoubtedly a difficult one, especially given her longstanding association with Troma and its unique brand of underground cinema. However, her stance serves as a reminder that the well-being of the cast and crew should always be paramount, regardless of the circumstances.
As the story develops, it remains to be seen how Troma Entertainment will address these concerns and whether any changes will be made to ensure the safety of everyone involved in the production of The Power of Positive Murder. In the meantime, White's departure serves as a stark reminder of the ongoing challenges faced by the entertainment industry as it navigates the complexities of filming post pandemic.
Stay safe, Tromaville.
Jessie Hobson