South African filmmaker Ryan Kruger continues to redefine genre cinema with his latest project, Street Trash, a bold reimagining of the 1980s cult classic. Best known for his electrifying debut feature Fried Barry (2020), which gained cult status and numerous accolades, Kruger is proving himself to be a director worth following closely. His ability to balance outrageous visual storytelling with deeper thematic exploration sets him apart as a unique voice in modern filmmaking.
During our conversation, it was clear how much care and passion Kruger poured into this film. He described Street Trash as more than just a sequel or remake; it’s a standalone story that honors the original while carving out its own identity. Set in the year 2050, the film takes a hard look at societal issues like class disparity and homelessness, all framed within a chaotic, grotesque, and visually arresting narrative.
Kruger’s decision to shoot on 35mm film speaks volumes about his dedication to his craft. The tactile texture of celluloid not only complements the film’s gritty aesthetic but also recalls the raw, tangible quality of 1980s cinema that influenced him as a filmmaker. Combined with practical effects and meticulously crafted set pieces, Street Trash promises to be a visceral, unforgettable experience.
What stood out in our discussion was Kruger’s excitement about bringing this vision to life. He views Street Trash not just as a love letter to the original but as an opportunity to connect with a new audience while tackling meaningful themes in an unconventional way. His creative ambition and genuine enthusiasm for storytelling make him a director to keep an eye on as he continues to innovate within the genre.
Fans of wild, boundary-pushing cinema can look forward to Street Trash when it becomes available digitally on November 19. With Kruger at the helm, this film is poised to surprise, shock, and deeply resonate with audiences worldwide.
Jessie Hobson